a tale of a few cities

Peter Combe, (se•nile | ˈsen,nīl |), 2012

Peter Combe(se•nile | ˈsen,nīl |), 2012

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Guerillagrams

Peter Combe, MUGLER: UGLIER, 2011


Peter Combe, canT afFORD, 2011

Peter Combe, canT afFORD, (TOM FORD), 2011


obbligare

(The following was written some months after this post appeared)

Before the opening of the Twitter/Art+Social Media exhibition at the Diane Farris Gallery in Vancouver, BC, Canada, I was contacted by one of the directors to say that one of my pieces (Iran’s Ahmadinejad Prepares for Avatar Premier, 2010), had been sold and that the gallery owner, Ms Farris was upset, as her eyes had been on the artwork. I was asked if I would be interested in making an edition of the artwork. I agreed, then never heard anything back from the gallery. Feeling a little flimflammed and manipulated over the request, I set out to produce a little piece of 8½ inspired cinema in the form of a series of gif animations to post before the exhibit completed its run. The poster above promotes the filmic homage and borrows from the poster artwork of the Reed Cowan and Steven Greenstreet directed film, 8: The Mormon Proposition. In April, I also produced this little promotional item that borrows from Disney’s Toy Story 3. In the end, it so turned out, there was no original buyer for the artwork. Ms Farris also asked if I might consider payment in the form of a ‘payment plan’. Months went by with my not hearing from the gallery. It just so happened that I found myself visiting Vancouver via San Francisco. I visited the space and there before me on a counter in the very quiet gallery’s back room lay the most exquisite little paint brush next to an unfired ceramic cat food bowl. Noticing my gaze and not missing a beat, the gallery director informed me that the bowl (awaiting Ms Farris’ artistic touch) was for a local pet charity auction. After my enquiry I was told that Ms Farris was no longer interested in purchasing the artwork and would I consider leaving my Ahmadinejad artwork for the upcoming gallery anniversary exhibition. I said it would be fine, provided the gallery brokered the shipping back to San Francisco. I needn’t print the response, except to say that I was so embarrassed for the business that all I could do was collect my artworks and get out of there fast.

Fashion and the Art of Contortion

Posted in Altered Ads, cut & paste, fashion, flora and fauna, Photography, Photomontage, trawling the net, WTF? by petercombe on February 19, 2010

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When are overly zealous art directors going to stop giving the OK to having their models chopped up in advertisements?

.photoshopdisasters.blogspot.com

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