a tale of a few cities

Visual AIDS, Postcards From the Edge, NYC

I am in such good company here – who doesn’t  recognize a Marilyn Minter when they see one?

Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy, because AIDS is not over. Visual AIDS is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while assisting artists living with HIV/AIDS.

Postcards From the Edge is a unique fundraiser where each of the 1,500+ postcard-sized artworks are uniformly priced at only $85.00. All works are displayed anonymously, with the artis’s identity revealed only after the work is purchased. Featuring artworks by Jeff Koons, Yoko Ono, John Waters, Donald Baechler, Marilyn Minter, Ed Ruscha, Polly Apfelbaum, Adam Fuss, Kiki Smith, John Baldessari, Louise Fishman, Ross Bleckner, Barry McGee, Kay Rosen, Marcel Dzama, Jonathan Lasker, Mary Heilmann, Louise Lawler, Bill Jensen, Jane Hammond, Ann Hamilton, Hans Haacke, William Wegman, Kate Shepherd, Zoe Leonard, Jack Pierson, Lawrence Weiner, Pat Steir, Thomas Woodruff and over 1450 others.

There will be a Preview Party Friday, January 6 from 6 – 8 p.m. The Benefit Sale of postcard-sized art begins on Saturday, January 7th from 10 a.m. until 6 p.m. and continues through Sunday, January 8th from Noon until 4 p.m.

For more information and to purchase tickets, please visit VisualAIDS.

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My Submission to Postcards from the Edge, NYC

Peter Combe, Damien Hirst at SFMOMA, 2011 

Above is my submission to Postcards from the Edge, NYC. When I saw Andy Bosselman’s photo of San Francisco based artist, Xiang Gao outside SFMOMA – I cracked up and knew I wanted to incorporate Damien Hirst‘s noggin.

Postcards from the Edge is an exhibit and benefit sale of over 1500 one-of-a-kind postcard-size works of art by established and emerging artists. All artworks at Postcards from the Edge benefit are exhibited anonymously. The works are signed on the back only and though viewers receive a list of all participating artists, they don’t know who created which piece until purchased.

Postcards from the Edge will be hosted at Cheim & Read from January 6-8, 2012

Visual AIDS utilizes art to fight AIDS by provoking dialogue and supporting HIV+ artists.

visualAIDS

Christo, Over the River

Christo, moments after I asked whether anybody had ever called him the first wrap artist. Tate Britain, 14.09.2011

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Christo, Over the River (Project for Arkansas River, State of Colorado), Drawing 2010 in two parts, 15 x 96″ and 42 x 96″ (38 x 244 cm and 106.6 x 244 cm), Pencil, pastel, charcoal, wax crayon, enamel paint, wash, fabric sample, hand-drawn topographic map and technical data (Photo: André Grossmann) © 2010 Christo

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Federal regulators on Monday approved a $50 million installation of anchored fabric over the Arkansas River in southern Colorado by the artist Christo, whose larger-than-life vision has divided environmentalists, residents and politicians for years over questions of aesthetics, nature and economic impact.

The project, “Over the River,” will include eight suspended panel segments totaling 5.9 miles along a 42-mile stretch of the river, about three hours southwest of Denver. Construction could begin next year, pending final local approvals, with the goal being a two-week display of the work as early as August 2014.

Christo’s projects — from the wrapping of the Reichstag Parliament building in Berlin in 1995 to “The Gates,” a meandering path of orange awnings through Central Park in New York in 2005 — have often generated heated debate in advance of their creation.

“We are elated,” Christo said. “Every artist in the world likes his or her work to make people think. Imagine how many people were thinking, how many professionals were thinking and writing in preparing that environmental impact statement.” [NYTimes]

This past September, Christo gave a rare talk in London about two works in progress, Over the River, Project for the Arkansas River, State of Colorado and The Mastaba, Project for the United Arab Emirates. He talked about the concepts behind these two artworks, and the significant process of production and realisation when working on large-scale environmental artworks. I was lucky enough to be sitting in the 2nd row center, it just so happened that he sat directly in front of me narrating while slides of his projects were projected on stage. He spoke much about the Over the River project but I was most intrigued by The Mastaba project (a monumental artwork, set in the Abu Dhabi desert, to be made of approximately 410,000 horizontally stacked oil barrels). I had always thought The Mastaba had been abandoned so was delighted to hear that it is an artwork still in preparatory stages.

During question time I asked how one might volunteer to work on one of his projects (48:55). He immediately pointed out that everybody working on his projects is paid since you could not fire volunteers. Jeanne-Claude (his now deceased wife), made sure that laboring help was paid 25% above minimum wage. I was amazed at Christo’s energy and level of enthusiasm, being that he is 76 years old.

Artist’s Talk: Christo, Tate Britain, Wednesday 14 September 2011
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Andrey Bogush, Sandwich on Plate with Flowers, 2011

Posted in Art, art criticism, artists, Ceramics, Collage, cut & paste, Photography, pictures, Prints, Symmetry by petercombe on October 30, 2011

Andrey Bogush, Sandwich on Plate with Flowers, 2011

 

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Andrey Bogush’s work above has been selected among 4 other artist’s works as finalists for the Still/Life contest at Foam Fotografie Museum, Amsterdam. I like Andrey’s work and have featured it before. In addition to a refined sense of colour, there is an underlying current of the macabre found lurking beneath the surface of much of his work. I can’t figure out whether an element of Andrey’s original artistic approach is geographically based or educationally influenced. Perhaps it is both. Andrey was born in Saint Petersburg, Russia and educated at Saimaa University of Applied Sciences, Imatra, Finland.

LANCER/LANCEL

Posted in Art, Collage, Peter Combe Art, Photography by petercombe on October 9, 2011
Peter Combe, LANCER/LANCEL, 2011
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PeterCom.be

Posted in Art, artists, Collage, Conceptual Art, cut & paste, guerilla art, Peter Combe Art, Photography, text, Work on Paper by petercombe on September 26, 2011

A work in progress with more to come soon, my new website is up at petercom.be 

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Christo talk @ Tate Britain

Posted in Art, artists, Collage, Conceptual Art, environmental art, London, Sculpture, Work on Paper by petercombe on August 17, 2011

Christo, The Mastaba in comparison to the Great Pyramid of Giza (Pyramid of Cheops), Egypt

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I’ve booked my ticket to see Christo talk at Tate Britain. Secretly, I’d love a months long gig working on the team with Christo.

New York-based environmental artist Christo gives a rare talk in London about two works in progress, Over the River, Project for the Arkansas River, State of Colorado and The Mastaba, Project for the United Arab Emirates. Christo is renowned for his often controversial public artworks carried out with his late partner Jeanne-Claude. These include the monumental wrapping of the Reichstag in Berlin and the Pont Neuf in Paris, the 24-mile long Running Fence in California, and most recently, The Gates in New York City’s Central Park.

For Over the River, initially conceptualised in 1992, Christo plans to suspend nearly six miles of silvery, luminous fabric panels high above the Arkansas River, along a 42-mile stretch between Salida and Cañon City in south-central Colorado.

The Mastaba has been in development from 1977. This monumental artwork, set in the Abu Dhabi desert, will be made of approximately 410,000 horizontally stacked oil barrels.

In this lecture Christo, who has generously contributed his time, will talk about the concepts behind these two artworks, and the significant process of production and realisation when working on large-scale environmental artworks.

Wednesday 14 September 2011, 18.30–20.00
Tate Britain  Auditorium
£12 (£9 concessions), booking recommended
For tickets book online
or call 020 7887 8888.

SociallyInept(dot)com

Posted in advertising, appropriation, Collage, Photography by petercombe on June 22, 2011

Don’t you tire of those Sponsored ads seen to the right of your Facebook profile page? Those intriguing thumbnail images that pique one’s interest – then once clicked, are nowhere to be found? 

Today I saw the recurring East Bay Bucket List Facebook Sponsord ad (below right) and immediately recognized one of Swiss artist Beni Bischof‘s artworks (below left), “HANDICAPED CAR” (verschiedene Formate, 2008/09). What on earth does that image have to do with with the East Bay Bucket List and 365 things to do in the East Bay right now? The cheesy site (Livingsocial[ly].com) misleads by scouring my photos and photos of my friends on Facebook to sell their product which in turn have nothing to do with the product being sold.

Update: ArtFagCity picked this up today –  Massive Links! Matthew Collins’ Fuck-You Art Writers | Jerry Saltz Tweet Watch | Peter Combe fingers East Bay Bucket List

Peter Combe, canT afFORD, 2011

Peter Combe, canT afFORD, (TOM FORD), 2011


Anagrams Underground

Peter Combe, London Bridge, 2011

Peter Combe, London Bridge, 2011

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Peter CombeBayswater, 2011
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