a tale of a few cities

Peter Combe, (se•nile | ˈsen,nīl |), 2012

Peter Combe(se•nile | ˈsen,nīl |), 2012

.

Dietch Projects SF, New Art In The Streets

Up until yesterday I was having a lot of fun being friends with Jeffrey Dietch on Facebook. I was a little slow to cotton-on to the joke, but when I did, I thought it brilliant. There appeared on his Facebook wall, a photo of a fellow sitting looking very smart in a cavernous, modern, all white interior above the heading, ‘Getting the space ready for San Francisco opening.‘ ‘LMAO!‘, was my response and contribution to the comment thread. After clicking the notification that Jeffrey Dietch liked my comment, I was returned to this page. The Facebook profile had been shut down. All sorts of artists had friended Dietch and posted on his wall, thinking him to be Jeffrey Deitch of the eponymous SoHo gallery, Deitch Projects. (Owner Jeffrey Deitch closed his gallery to the public in June 2010 as a result of being appointed  director of L.A.’s MoCA).

I thought the whole Dietch Projects SF to be a wonderful guerrilla stunt. Some didn’t, as evinced by a writer at New York based Blog Mixed Greens. The writer at Mixed Greens mentions Dietch Projects SF logo being ‘ripped off‘ from the original.  Wtf? – how can you ‘rip-off‘ a logo that’s already been ripped off? The writer suggested that Fake Deitch was responsible. I thought that a lame scapegoat but figured I’d pursue @FakeDeitch to prove Mixed Green’s wayward hunch wrong.

I love Dietch Projects SF’s promotional photo (top), snatched from Chicks With Steve Buscemeyes.

Heading out to Gallery Heist tomorrow evening anyway, I’ll probably mosey over to 441 O’Farrell to check things out. 

Dietch Projects SF
New Art In The Streets
Dec 8 – Jan 6
441 O’Farrell Street,
San Francisco 94102
.

UPDATE Dec 9: Went down to 441 O’Farrell last night, turned out that was the Ever Gold address. Next door sat large construction hoarding plastered with ‘UNDER CONSTRUCTION SORRY FOR THE INCONVENIENCE & the Dietz Projects logo (with an address change of 445 O’Farrell). It was pretty funny, the hoarding, about 10ft high stuck out roughly 15ft to the curb and I’d say it was about 20ft wide in front of a low rent hotel. Pedestrians jostled dutifully between the protruding structure and the curb. A friend and I spotted a fellow being admitted into the hotel so we slipped in behind him and ventured into the main lobby area to catch a glimpse through the front window (backside of the hoarding). It was simply a false front completely void of any construction. A total stunt. Staff at the grotty Hotel whose frontage was completely obscured seemed oblivious to the fact. Especially hilarious was a clerk yelling at us from a far away front desk in the dimly lit cavernous lobby of what must have been a grand-ish hotel in it’s time, asking us what we were doing there. We were taking pictures. He looked bemused – stunt – what stunt? It was as if he were utterly incognizant of the hotel’s current frontage. Even so, the artwork lived up to its namesake, ‘New Art In The Streets’. I figure Ever Gold artist Jeremiah Jenkins was responsible for the Guerilla installation. I could be wrong.


My Submission to Postcards from the Edge, NYC

Peter Combe, Damien Hirst at SFMOMA, 2011 

Above is my submission to Postcards from the Edge, NYC. When I saw Andy Bosselman’s photo of San Francisco based artist, Xiang Gao outside SFMOMA – I cracked up and knew I wanted to incorporate Damien Hirst‘s noggin.

Postcards from the Edge is an exhibit and benefit sale of over 1500 one-of-a-kind postcard-size works of art by established and emerging artists. All artworks at Postcards from the Edge benefit are exhibited anonymously. The works are signed on the back only and though viewers receive a list of all participating artists, they don’t know who created which piece until purchased.

Postcards from the Edge will be hosted at Cheim & Read from January 6-8, 2012

Visual AIDS utilizes art to fight AIDS by provoking dialogue and supporting HIV+ artists.

visualAIDS

Occupy George

Posted in finance, guerilla art, money, multiples, Occupy Wall Street, Photography, pictures by petercombe on November 18, 2011

The income growth disparity in America is wider than it was pre-Great Depression.

Money talks, but not loud enough for the 99%. By circulating dollar bills stamped with fact-based infographics, Occupy George informs the public of America’s daunting economic disparity one bill at a time. Because money knowledge is power.

Occupy George >

Benetton is Back…

PeterCom.be

Posted in Art, artists, Collage, Conceptual Art, cut & paste, guerilla art, Peter Combe Art, Photography, text, Work on Paper by petercombe on September 26, 2011

A work in progress with more to come soon, my new website is up at petercom.be 

.

Currently, I am in London

Peter Combe, London Bridge, T, 2011

Kyle Poff / N° Fuck Off

Posted in Art, clever, Conceptual Art, design, Graphic Design, guerilla art, humour by petercombe on June 28, 2011

  Kyle Poff >

Ai Weiwei’s Guerilla Proclamation at the 54th Venice Biennale

Posted in Conceptual Art, guerilla art, Installation, performance art, Photography, text by petercombe on June 4, 2011

Marc-Antoine Léval‘s latest guerilla stunt outside the entrance to the 54th Venice Biennale. I’ve always liked the humour and brazen nature of (aka “The Immaterial Art Emperor”Léval’s work. This particular performance prompted voices of disapproval from a morally and politically correct crowd, “Ai Weiwei did not authorize this!”  Just the sort of participation the work demands.

Guerillagrams

Peter Combe, MUGLER: UGLIER, 2011


%d bloggers like this: