a tale of a few cities

UC Davis Chancellor’s Chilling Walk of Shame Through a Line of Silent Demonstrators…

Posted in Media, Occupy Wall Street, Photography, protests, Reportage, Scandal, video by petercombe on November 20, 2011
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Benetton is Back…

.…And so is the Backlash >

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Fantastic Man’s Fantastic Spin

Posted in Art, artists, design, fashion, film, London, Media, music, Photography, Symmetry, Uncategorized, video, video art by petercombe on November 12, 2011

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Produced by the duo Lernert & Sander for Fantastic Man, these hi-definition films give both incredible grace and pure practicality to the art of moving fashion images. Each video grants a spectacular 360° view on a spectacular athlete wearing a spectacular look. Fashion editorials that transcends the still image and makes beautiful and intelligent use of the internet as platform. Figure skater Thomas Naylor performs the camel spin – a number that is executed by extending one leg backwards with the knee held above the level of the hip. The music for these films truly stands out and was custom-made by composer Danny Calvi from London, UK.  The haunting musical scores keep me retuning to these beautifully shot shorts, music one might hear watching a Lars von Trier film.

Below, Lawrence Evans, a runner-up for the 2014 Winter Olympics, performs an upright catch-foot spin.  

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Styling: Jodie Barnes. Camera: Bjorn Bratberg. Grooming: Kenichi at Caren. Styling assistance: Joe Porritt. Grooming assistance: Ellie Gill. Editing: Arno Ouwejan. Production: Serena Noorani. Executive production: Stephen Whelan. Postproduction: The Mill.Five films were produced in all. THE FANTASTIC MAN SERIES BY LERNERT & SANDER won the Best Art Direction Prize at «A Shaded View on Fashion Film» (ASVOFF) held in October at Centre Pompidou in Paris. ASVOFF includes a film selection & competition, documentaries, features and installations. 

Artral Media’s China Syndrome

Posted in Digital Natives, Media, social media, Twitter, Vancouver, Wordsworth by petercombe on April 8, 2011

Sixty messages were created for Digital Natives, a public artwork sited on the electronic billboard at Burrard Street Bridge in downtown Vancouver. Three have been omitted by the corporation that is under contract to manage the billboard’s content, Astral Media Outdoor. Omitted messages are presented here, in solidarity with artist Edgar Heap of Birds and writer Larissa Lai. Other Sights for Artists’ Projects is dismayed at the exclusion of work by such respected artists.

Curators Clint Burnham and Lorna Brown state, “Our goals for the project are to use this highly visible location to present a conversation between First Nations and non-First Nations contributors and the public – happening on twitter, on our website, and on the billboard itself, as tweets from the public will be introduced in mid-April. In this anniversary year, we are drawing attention to the messages and languages we usually see in public space, and those we do not. We are disappointed that Astral has refused to broadcast artworks by such renowned artists. Their decision compromises the intent of the project and does a disservice to the artists, whose viewpoints about public space are highly valued.

“Unfortunately,” they add, “Astral’s censoring of artists and writers shows how difficult it is for Canadians to gain access to public space, and to express themselves in public space. This is an issue of censorship, of the suppression of artistic expression, clear and simple.”

from Digital Natives, Public Language Trouble

Astral Media’s Social Responsibility Page >

Corporate Emails >

Other Sights for Artists’ Projects’ Digital Natives is a public artwork sited on the electronic billboard at Burrard Street Bridge in downtown Vancouver, BC, Canada.

Digital Natives, Twitter, Public Art & The Skwxwú7mesh Nation

Posted in Digital Natives, Media, social media, text, Twitter, Vancouver, Wordsworth by petercombe on April 6, 2011

Digital Natives
April 4 – 30, 2011
Electronic Billboard
Burrard Street Bridge
Vancouver, BC
Canada

Other Sights for Artists’ Projects is pleased to announce Digital Natives, a public artwork sited on the electronic billboard at the Burrard Street Bridge.

Curators Lorna Brown and Clint Burnham have invited artists and writers from across North America to contribute messages to be broadcast over the month of April, coinciding with the 125th Anniversary of the City of Vancouver.

Digital Natives intervenes in the physical, social and historical context of the site, the billboard and the city with a series of ten second text messages interrupting the rotation of advertisements. Taking the form of Twitter messages, invited contributors respond to the site’s charged history, the ten-second format and the 140-character limit of tweets. The sign itself becomes an artistic and literary space for exchange between native and non-native communities exploring how language is used in advertising, its tactical role in colonization, and as a complex vehicle of communication.

The Vancouver Courier reports that the project hit a roadblock just as it was about to go live this week when Astral Media asked for translations of the messages it was given two weeks ago and initially held back 25 of the posts, according to Burnham. As a result, messages in Squamish weren’t seen on Squamish land where the billboards are rooted, and the Kwak’wala message that included English Twitter-speak “OMG” for oh my God wasn’t posted.

Encouraging dialogue among artists and writers, between First Nations and non-First Nations communities, and between artists, writers and the public, Digital Natives is public art that the public not only ‘receives’, but may also produce. Local and remote audiences are welcome to tweet their messages to @diginativ, and they will be considered for broadcast.

Check out the billboard as a medium

The Vancouver Courier article here


Peter Combe, THIS IS NOT A LOVE SONG, 2011


You’ve got to leaf through it…

Posted in appropriation, Art, Collage, cut & paste, digital Collage, humour, I appropriate, Media, Photomontage by petercombe on June 11, 2010

… my Ahmadinejad artwork is featured in this month’s Adbusters magazine.

☞ LINK

From the Twittersphere

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