a tale of a few cities

John Baldessari, The First $100,000 I Ever Made

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Photos by Friends of the High Line Courtesy John Baldessari and Marian Goodman Gallery, New York.


HIGH LINE BILLBOARD

The First $100,000 I Ever Made by John Baldessari
On View Friday, December 2 to Friday, December 30, 2011
Billboard next to the High Line at West 18th Street

High Line Art, presented by Friends of the High Line, today unveiled The First $100,000 I Ever Made, a new work created by legendary artist John Baldessari for the 25-by-75 foot billboard next to the High Line on 10th Avenue at West 18th Street. This is the first of three works to be presented as part of a new series called HIGH LINE BILLBOARDThe First $100,000 I Ever Made will remain on view until Friday, December 30, 2011.

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Last Address

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Last Address is an elegiac film made up of exterior images of the last residential addresses of a group of New York City artists who died of AIDS.

For more information about the artists featured in the film — including biographies, interviews, performance videos, audio recordings and essays — visit Last Address.

A film by Ira Sachs
Produced by Lucas Joaquin
Shot by Michael Simmonds
Edited by Brian A. Kates
Sound by Damian Volpe
Additional assistance by Jonathan Boyd and Andrei Alupului

Fantastic Man’s Fantastic Spin

Posted in Art, artists, design, fashion, film, London, Media, music, Photography, Symmetry, Uncategorized, video, video art by petercombe on November 12, 2011

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Produced by the duo Lernert & Sander for Fantastic Man, these hi-definition films give both incredible grace and pure practicality to the art of moving fashion images. Each video grants a spectacular 360° view on a spectacular athlete wearing a spectacular look. Fashion editorials that transcends the still image and makes beautiful and intelligent use of the internet as platform. Figure skater Thomas Naylor performs the camel spin – a number that is executed by extending one leg backwards with the knee held above the level of the hip. The music for these films truly stands out and was custom-made by composer Danny Calvi from London, UK.  The haunting musical scores keep me retuning to these beautifully shot shorts, music one might hear watching a Lars von Trier film.

Below, Lawrence Evans, a runner-up for the 2014 Winter Olympics, performs an upright catch-foot spin.  

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Styling: Jodie Barnes. Camera: Bjorn Bratberg. Grooming: Kenichi at Caren. Styling assistance: Joe Porritt. Grooming assistance: Ellie Gill. Editing: Arno Ouwejan. Production: Serena Noorani. Executive production: Stephen Whelan. Postproduction: The Mill.Five films were produced in all. THE FANTASTIC MAN SERIES BY LERNERT & SANDER won the Best Art Direction Prize at «A Shaded View on Fashion Film» (ASVOFF) held in October at Centre Pompidou in Paris. ASVOFF includes a film selection & competition, documentaries, features and installations. 

Posted in Uncategorized by petercombe on September 16, 2011

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Christies: Yves Klein, Victoire de Samothrace

Posted in Art, artists, auction, London, paris, Sculpture, Uncategorized by petercombe on September 9, 2011


Yves Klein (1928-1962)
Victoire de Samothrace

Estimate

    £35,000 – £55,000

  • ($55,755 – $87,615)

Incised with the artist’s initials and dated ‘YK 62’ (on the right wing); numbered ‘EA I/XXV’ (on the reverse and the underside of the stone)
dry blue pigment in synthetic resin on plaster with a metal and stone base
19¾ x 10½ x 10in. (50.2 x 26.7 x 25.4cm.)
Executed in 1962, this work is HC number one from an edition of one hundred and seventy-five plus twenty-five HC edited by Galerie Karl Flinker LC, Paris.

I saw this in the Christies window in South Kensington, London this evening. The photo does it no justice at all. Set to auction during their Post-War & Contemporary Art sale on the 14th, Sept., it was a jewel to behold. A heavenly apparition.

Martijn Hendriks, 12 Glowing Men

Posted in Art, Cinéma, film, Uncategorized, video by petercombe on January 26, 2011
Untitled (12 Glowing Men), 2008. Still from a single channel video DVD, projection and website. Color and black and white, sound. 4 min 10 sec loop.

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Dutch artist Martijn Hendriks has a Web site dedicated to a 4 min excerpt of “12 Angry Men” in which rainbows inexplicably appear on the actor’s skin.

In his video installation “Untitled (12 Glowing Men)” Dutch artist, Martijn Hendriks takes the climactic jury-room scene from 1957′s “12 Angry Men” and haloes the deliberators with a prismatic, heaven-like glow. To me, it’s like a physical manifestation of their emotion and almost as if nature itself is intervening. The light itself spreads and morphs onto the men as each turns his back on the one man you wants to condemn the accused. There’s an intrinsic sanctimony involved in the trial-by-jury system, as if perhaps these men exalt themselves through the act of determining the fate of another. Notice how by the end of the scene, the only man devoid of the ethereal light is the one who’s been shunned by all the others.

Aside from that, it’s stunningly beautiful. Watch. (Jeremy ElderShape+Colour, Sept. 08)

LINK >


Joe Oppedisano, Testosterone

Posted in Photography, Uncategorized by petercombe on October 6, 2010

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Testosterone by Joe Oppedisano, Scanner damaged.

Jockohomo >

Chris Coy, American Gothic

Posted in Uncategorized by petercombe on September 17, 2010

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LINK >

Gerhard Mantz

Posted in Uncategorized by petercombe on August 25, 2010

Das Risiko, 2008, Pigmented ink on linen, 100 x 180 cm

Rachsüchtiger Ansturm, 2008, Pigmented ink on linen, 100 x 220 cm

Gefasster Entschluss, 2008, Pigmented ink on linen, 100 x 180 cm

GERHARD MANTZ >


Jennifer Allora, Guillermo Calzadilla, Untitled (ATM/Organ)

Posted in Uncategorized by petercombe on August 19, 2010

Jennifer Allora and Guillermo Calzadilla’s Fourth Plinth submission needs to win. With an ATM at its base,  a cacophony of sound is heard throughout Trafalgar Square when the machine is in use. The artists’ concept is worthy to induce that particular cognitive experience known as the British sense of humor, all the while recognizing Britain’s rich theological history and the financial centrality of London.

Untitled (ATM/Organ) consists of installing an automated teller machine (ATM) in the Fourth Plinth in London’s Trafalgar Square, connected to a functioning pipe organ which will produce sound by driving pressurised air through pipes selected via the ATM machine keyboard.

Each time customers press the ATM keyboard to access bank accounts worldwide to make cash withdrawals, credit card cash advances, account balance inquiries and so on, it will trigger the pipe organ to produce a range of notes and chords at varying degrees of loudness which will reverberate throughout Trafalgar Square.

Artist biographies

Jennifer Allora, born in 1974 Philadelphia, USA and Guillermo Calzadilla born in 1971 in Havana, Cuba, live and work in San Juan, Puerto Rico. Through sculpture, photography, performance, sound and video, their work explores mark making, traces, survival and the relationship between the human and the animal. Most recently, they have created a series of works that explore the interplay between militarism and sound in the context of today’s global state of war.

They have had solo shows at the Whitechapel Gallery, London (2007), Serpentine Gallery (2007), Stedelijk Museum, Amsterdam (2008), Haus der Kunst München, Munich (2008) and the Temporäre Kunsthalle Berlin (2009) and have a forthcoming exhibition at the Lisson Gallery, London, UK in 2011.

Untitled (ATM/Organ)>

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