a tale of a few cities

Joyeux Quatorze Juillet

Peter Combe, A TRUE LOVE UNVEILED (AVENUE DE TOURVILLE), 2011

My toast to Bastille Day, a little Pariscentric anagram.

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The Art of the Freudian Slip

Posted in Art, artist statement, artists, video, video art, Wordsworth by petercombe on June 29, 2011
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See also Bollocks >

Birth of Holzer

Posted in Art, artists, Birth of..., Cinéma, film, Photography, projections, text, Wordsworth by petercombe on June 28, 2011

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I Wake Up Screaming (1941)

Birth of Kruger

Posted in Birth of..., New York City, Photography, Wordsworth, writings by petercombe on June 27, 2011

 Christopher Street Gay Liberation Day 1970 © Me in SanFran

Bollocks. Do you hate having to write your artist statement?

Posted in Art, artist statement, curriculum vitae, humour, Wordsworth by petercombe on June 20, 2011

I actually like this artist statement. Generate your bollocks artist statement here

Guerillagrams

Peter Combe, MUGLER: UGLIER, 2011


Sarah Burton’s design was…

(Just noticed The Gaurdian, April 30th edition, has the same tagline. You saw it here first!)

Artral Media’s China Syndrome

Posted in Digital Natives, Media, social media, Twitter, Vancouver, Wordsworth by petercombe on April 8, 2011

Sixty messages were created for Digital Natives, a public artwork sited on the electronic billboard at Burrard Street Bridge in downtown Vancouver. Three have been omitted by the corporation that is under contract to manage the billboard’s content, Astral Media Outdoor. Omitted messages are presented here, in solidarity with artist Edgar Heap of Birds and writer Larissa Lai. Other Sights for Artists’ Projects is dismayed at the exclusion of work by such respected artists.

Curators Clint Burnham and Lorna Brown state, “Our goals for the project are to use this highly visible location to present a conversation between First Nations and non-First Nations contributors and the public – happening on twitter, on our website, and on the billboard itself, as tweets from the public will be introduced in mid-April. In this anniversary year, we are drawing attention to the messages and languages we usually see in public space, and those we do not. We are disappointed that Astral has refused to broadcast artworks by such renowned artists. Their decision compromises the intent of the project and does a disservice to the artists, whose viewpoints about public space are highly valued.

“Unfortunately,” they add, “Astral’s censoring of artists and writers shows how difficult it is for Canadians to gain access to public space, and to express themselves in public space. This is an issue of censorship, of the suppression of artistic expression, clear and simple.”

from Digital Natives, Public Language Trouble

Astral Media’s Social Responsibility Page >

Corporate Emails >

Other Sights for Artists’ Projects’ Digital Natives is a public artwork sited on the electronic billboard at Burrard Street Bridge in downtown Vancouver, BC, Canada.

Guerillagrams

Peter Combe, (se•nile | ˈsen,nīl |), 2011

Peter Combe, (slander |ˈslandər|), 2011

Digital Natives, Twitter, Public Art & The Skwxwú7mesh Nation

Posted in Digital Natives, Media, social media, text, Twitter, Vancouver, Wordsworth by petercombe on April 6, 2011

Digital Natives
April 4 – 30, 2011
Electronic Billboard
Burrard Street Bridge
Vancouver, BC
Canada

Other Sights for Artists’ Projects is pleased to announce Digital Natives, a public artwork sited on the electronic billboard at the Burrard Street Bridge.

Curators Lorna Brown and Clint Burnham have invited artists and writers from across North America to contribute messages to be broadcast over the month of April, coinciding with the 125th Anniversary of the City of Vancouver.

Digital Natives intervenes in the physical, social and historical context of the site, the billboard and the city with a series of ten second text messages interrupting the rotation of advertisements. Taking the form of Twitter messages, invited contributors respond to the site’s charged history, the ten-second format and the 140-character limit of tweets. The sign itself becomes an artistic and literary space for exchange between native and non-native communities exploring how language is used in advertising, its tactical role in colonization, and as a complex vehicle of communication.

The Vancouver Courier reports that the project hit a roadblock just as it was about to go live this week when Astral Media asked for translations of the messages it was given two weeks ago and initially held back 25 of the posts, according to Burnham. As a result, messages in Squamish weren’t seen on Squamish land where the billboards are rooted, and the Kwak’wala message that included English Twitter-speak “OMG” for oh my God wasn’t posted.

Encouraging dialogue among artists and writers, between First Nations and non-First Nations communities, and between artists, writers and the public, Digital Natives is public art that the public not only ‘receives’, but may also produce. Local and remote audiences are welcome to tweet their messages to @diginativ, and they will be considered for broadcast.

Check out the billboard as a medium

The Vancouver Courier article here


Peter Combe, THIS IS NOT A LOVE SONG, 2011


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