a tale of a few cities

Visual AIDS, Postcards From the Edge, NYC

I am in such good company here – who doesn’t  recognize a Marilyn Minter when they see one?

Visual AIDS utilizes art to fight AIDS by provoking dialogue, supporting HIV+ artists, and preserving a legacy, because AIDS is not over. Visual AIDS is the only contemporary arts organization fully committed to HIV prevention and AIDS awareness through producing and presenting visual art projects, while assisting artists living with HIV/AIDS.

Postcards From the Edge is a unique fundraiser where each of the 1,500+ postcard-sized artworks are uniformly priced at only $85.00. All works are displayed anonymously, with the artis’s identity revealed only after the work is purchased. Featuring artworks by Jeff Koons, Yoko Ono, John Waters, Donald Baechler, Marilyn Minter, Ed Ruscha, Polly Apfelbaum, Adam Fuss, Kiki Smith, John Baldessari, Louise Fishman, Ross Bleckner, Barry McGee, Kay Rosen, Marcel Dzama, Jonathan Lasker, Mary Heilmann, Louise Lawler, Bill Jensen, Jane Hammond, Ann Hamilton, Hans Haacke, William Wegman, Kate Shepherd, Zoe Leonard, Jack Pierson, Lawrence Weiner, Pat Steir, Thomas Woodruff and over 1450 others.

There will be a Preview Party Friday, January 6 from 6 – 8 p.m. The Benefit Sale of postcard-sized art begins on Saturday, January 7th from 10 a.m. until 6 p.m. and continues through Sunday, January 8th from Noon until 4 p.m.

For more information and to purchase tickets, please visit VisualAIDS.

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My Submission to Postcards from the Edge, NYC

Peter Combe, Damien Hirst at SFMOMA, 2011 

Above is my submission to Postcards from the Edge, NYC. When I saw Andy Bosselman’s photo of San Francisco based artist, Xiang Gao outside SFMOMA – I cracked up and knew I wanted to incorporate Damien Hirst‘s noggin.

Postcards from the Edge is an exhibit and benefit sale of over 1500 one-of-a-kind postcard-size works of art by established and emerging artists. All artworks at Postcards from the Edge benefit are exhibited anonymously. The works are signed on the back only and though viewers receive a list of all participating artists, they don’t know who created which piece until purchased.

Postcards from the Edge will be hosted at Cheim & Read from January 6-8, 2012

Visual AIDS utilizes art to fight AIDS by provoking dialogue and supporting HIV+ artists.

visualAIDS

PeterCom.be

Posted in Art, artists, Collage, Conceptual Art, cut & paste, guerilla art, Peter Combe Art, Photography, text, Work on Paper by petercombe on September 26, 2011

A work in progress with more to come soon, my new website is up at petercom.be 

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Christo talk @ Tate Britain

Posted in Art, artists, Collage, Conceptual Art, environmental art, London, Sculpture, Work on Paper by petercombe on August 17, 2011

Christo, The Mastaba in comparison to the Great Pyramid of Giza (Pyramid of Cheops), Egypt

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I’ve booked my ticket to see Christo talk at Tate Britain. Secretly, I’d love a months long gig working on the team with Christo.

New York-based environmental artist Christo gives a rare talk in London about two works in progress, Over the River, Project for the Arkansas River, State of Colorado and The Mastaba, Project for the United Arab Emirates. Christo is renowned for his often controversial public artworks carried out with his late partner Jeanne-Claude. These include the monumental wrapping of the Reichstag in Berlin and the Pont Neuf in Paris, the 24-mile long Running Fence in California, and most recently, The Gates in New York City’s Central Park.

For Over the River, initially conceptualised in 1992, Christo plans to suspend nearly six miles of silvery, luminous fabric panels high above the Arkansas River, along a 42-mile stretch between Salida and Cañon City in south-central Colorado.

The Mastaba has been in development from 1977. This monumental artwork, set in the Abu Dhabi desert, will be made of approximately 410,000 horizontally stacked oil barrels.

In this lecture Christo, who has generously contributed his time, will talk about the concepts behind these two artworks, and the significant process of production and realisation when working on large-scale environmental artworks.

Wednesday 14 September 2011, 18.30–20.00
Tate Britain  Auditorium
£12 (£9 concessions), booking recommended
For tickets book online
or call 020 7887 8888.

Guerillagrams

Peter Combe, MUGLER: UGLIER, 2011


Samuel M. Steward’s Neatly Organized Stud File

Posted in collecting, collections, habits, humour, new york times, Photography, poetry, Symmetry, Work on Paper by petercombe on April 14, 2011

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Back in February The New York Times wrote about a website called Things Organized Neatly, a Tumblr site that features a piece of my art. On any given day the site may feature an image of white socks on a blue background, on another, a patterned stack of tires or a careful arrangement of baseball bats. The site is overseen by a young Indianapolis designer named Austin Radcliffe, who seems less intent on collecting objects than on collecting images of collections. His site started less than a year ago, but since being written about in The Guardian and elsewhere, it has gained a following in the tens of thousands.

In 2010, The New York Times Books section featured “Secret Historian: The Life and Times of Samuel Steward, Professor, Tattoo Artist, and Sexual Renegade”. The book by Justin Spring, examines the life of Samuel Steward, left, an English professor, novelist and tattoo artist who documented gay life in the middle decades of the 20th century. During his research, Mr. Spring discovered that Steward, who died in 1993, left behind 80 boxes full of drawings, letters, photographs, sexual paraphernalia,  manuscripts and other items. Among the artifacts was “a green metal card catalog (above photo) labeled ‘Stud File,’ which contained a meticulously documented record on index cards of every sexual experience and partner — Rock Hudson, Thornton Wilder, ‘One-eyed Sadist’ — that Steward said he had had over 50 years.”

A month or so ago I submitted the above photo to thingsorganizedneatly.tumblr.com. Sadly, it appears that the joke was lost on Austin Radcliffe. 

Credit: The Estate of Samuel M. Steward

Guerillagrams

Peter Combe, (se•nile | ˈsen,nīl |), 2011

Peter Combe, (slander |ˈslandər|), 2011

Kurt Kauper, Drawings

Posted in Art, Drawings, Work on Paper by petercombe on September 28, 2010

Kurt Kauper, Bobby, 2003, 12 x 10″, Red pastel on paper

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Kurt Kauper, Shaving Before The Game, 2007, 20 x 30″, Pencil drawing

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Judith Ann Braun, Symmetrical Procedures

Posted in Art, Graphite Drawings, Symmetry, Work on Paper by petercombe on July 20, 2010

1, GCN-19-3, (Lanternals), Graphite on paper, 19 x 19″, 2007
2, Oh May I #3, (Texts), Graphite on Duralar, 25 x 25″, 2009
3, BKI-13-1, (Portals), Graphite on paper, 13 x 13″, 2009

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“Symmetrical Procedures”, begun in 2003, is an ongoing series of drawings constrained by four rules: Abstraction, Bilateral Symmetry, Square Format, and Graphite. Abstraction keeps the images free to be anything, while the symmetry resolves that fluidity into something, like when liquid energy crystallizes. This metaphor is reflected also in the soft carbon medium I use, which under heat and pressure becomes a diamond. I like to think I’m drawing with diamond dust. Working within constraints actually prompts infinite possibilities and a self-organizing system of groups and subgroups evolves. Within this confluence of the unintentional and the deliberate, I edit and refine the drawings in search of simple poetic articulations that seem to me, to be both significant and mysterious.

Judith Ann Braun

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