Animated GIFs: The Birth of a Medium
GIFs are one of the oldest image formats used on the web. Throughout their history, they have served a huge variety of purposes, from functional to entertainment. Now, 25 years after the first GIF was created, they are experiencing an explosion of interest and innovation that is pushing them into the terrain of art. The video from Off Book charts their history, explores the hotbed of GIF creativity on Tumblr, and features two teams of GIF artists who are evolving the form into powerful new visual experiences.
via jockohomo
gif via powcamp
Elmgreen & Dragset’s Fourth Plinth
The unveiling of London’s Fourth Plinth, ‘Powerless Structures, Fig 101‘ by Scandinavian artistic duo Elmgreen & Dragset starts tomorrow at 9:00am (GMT), in Trafalgar Square.
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DWR: Whose bad IKEA was that anyway?
Whitney of the Future
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Situated in NYC’s Meatpacking District at the southern end of the High Line, the new Renzo Piano-designed Whitney Museum Of American Art will replace the current Marcel Breuer building on Madison Avenue. The Whitney’s new outpost, climbing up nine stories and topping out at 270 feet overlooking the Hudson River, will open in 2015. Inside will be “essential new space for its collection, exhibitions, and education and performing arts programs” spread across 200,000 square feet, with the largest column-free gallery in NYC.
Cindy Sherman Retrospective at SFMOMA
July 14 – October 07, 2012
Cindy Sherman is recognized as one of the most important contemporary artists of the last 40 years and arguably the most influential artist working exclusively with photography. This retrospective traces the groundbreaking artist’s career from the mid-1970s to the present. Bringing together more than 170 key photographs from a variety of Sherman’s acclaimed bodies of work, the presentation constitutes the first overview of her career since 1997 in the United States. Sherman has served as her own model for more than 30 years, generating a range of guises and personas that are by turns amusing and disturbing, distasteful and affecting. The exhibition showcases the artist’s greatest achievements to date, from her early experiments as a student in Buffalo in the 1970s to her recent large-scale photographic murals.
Cindy Sherman, renowned American photographer and film director, is 58 today.
Licensing slip up: Velvet Underground sues over Giorgio de Chirico banana symbols
The Uncertainty of the Poet, 1913
L’Incertitude du poète
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Rock group The Velvet Underground filed a lawsuit on Wednesday seeking to stop any future exhibition/reproduction of Giorgio de Chirico’s 1913 masterwork, The Uncertainty of the Poet.
The 1960s rock band formed by Lou Reed and John Cale accused the Fondazione Giorgio e Isa de Chirico of trademark infringement, retroactively claiming in a lawsuit that the use of banana symbols are synonymous with The Velvet Underground.
Each of the bananas featured in de Chirico’s iconic artwork bare an uncanny resemblance to the banana featured on the cover of Velvet Underground’s 1967 album “The Velvet Underground and Nico.”
The fact that de Chrico’s work was created decades earlier was not mentioned in the lawsuit.
Although Velvet Underground broke up in 1973, the album later came to be regarded as one of the best albums of all time, and was also referred to as “The Banana Album”.
“The symbol has become so identified with The Velvet Underground … that members of the public, particularly those who listen to rock music, immediately recognize the use of bananas as a symbol of The Velvet Underground,” the complaint added.
The lawsuit said the aging control freaks behind the band had repeatedly asked the Fondazione Giorgio e Isa de Chirico to cease all future exhibition and further reproduction of the 1913 work, The Uncertainty of the Poet.
Velvet Underground is seeking an injunction stopping the use of banana symbols by other parties, a declaration that the Fondazione Giorgio e Isa de Chirico has no retroactive copyright interest in the use of banana symbols, unspecified damages and a share of previous profits made by the Fondazione Giorgio de Chirico from any licensing deals of the iconic artwork.
Peter Combe, (se•nile | ˈsen,nīl |), 2012
Peter Combe, (se•nile | ˈsen,nīl |), 2012
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